CONDUCTOR
He recreates a poetic beauty thanks to the logic of his phrasing, his brilliant strokes, captivating rhythmic alternations, structured and clear approach to form and elegant dynamics.
Decrescendo.net
About
Mark Kadin has proven himself as a musical leader with deep knowledge and a fresh, progressive outlook. Precision, passion of the explorer and artistic insight are the foundation of his work and have led to longstanding relationships around the world. He has been celebrated for his inspirational music-making, innovative programming, collaborative spirit, and an engaging personality that instantly puts musicians and audiences at ease. Mark has had a distinguished career holding important positions with and guest conducting over 80 orchestras across Europe, Russia, Asia, Latin America, Australia and New Zealand. Since 2023, he is Principal Conductor and Artistic Director of the Querétaro Philharmonic Orchestra, Mexico. From 2017 to 2023, he was Chief Conductor of the Bulgarian National Radio Symphony Orchestra. He was also Music Director of the Krasnoyarsk State Symphony Orchestra, Principal Guest Conductor of the Lithuanian State Musical Theatre and Moscow Radio Symphony Orchestra.
Falla: Three-Cornered Hat - Suite no. 2
BNR Symphony Orchestra
Bulgaria Concert Hall
Rachmaninov: Piano Concerto No. 2
BNR Symphony Orchestra, Lucas Geniushas, piano
Bulgaria Concert Hall
“He likes to do this type of conceptual, thematic, genre-summarizing concerts, with the aim of intriguing the audience and the orchestra in different ways.”
Kultura.bg
“It sounded somewhat confessional in the conductor's reading - like a personal revelation, a personal pain, but he maintained a good distance, with a sufficiently restrained emotional discipline which produced an even more engaging awareness.”
Prokofiev Symphony No. 5 - Decrescendo.net
Press
“Kadin offered a dense, collected performance, with natural musical movement, with a relief comparison of episodes, with constructive nuanced ideas, successfully fixing individual timbre sections in the picture. He easily highlighted dramatic phases with the effect of dynamic amplitudes, maintaining an expressive general legato in the phrasing, and in the finale, he achieved an ambiguous vitality, completing the anxious loneliness and melancholic character of the work. A well thought out and realized interpretation!”
Kölner Stadt-Anzeiger
