CONDUCTOR
He recreates a poetic beauty thanks to the logic of his phrasing, his brilliant strokes, captivating rhythmic alternations, structured and clear approach to form and elegant dynamics.
Decrescendo.net
About
Ukrainian-born Mark Kadin has proven himself as a musical leader with deep knowledge and a fresh, progressive outlook. Precision, passion of the explorer and artistic insight are the foundation of his work and have led to longstanding relationships around the world. Since 2023, Mark Kadin is Principal Conductor and Artistic Director of the Querétaro Philharmonic Orchestra. From 2017 to 2023, he was Chief Conductor of the Bulgarian National Radio Symphony Orchestra. He was also Music Director of the Krasnoyarsk State Symphony Orchestra and Principal Guest Conductor of the Moscow Radio Symphony Orchestra for ten years. With an enormous repertoire embracing classical, romantic, and contemporary music, he has conducted in places such as the Tonhalle Düsseldorf, Rudolfinum Prague, Bolshoi Theatre, Munich Herkulessaal, Kölner Philharmonie, Palacio de Bellas Artes and Seoul Arts Center.
Falla: Three-Cornered Hat - Suite no. 2
BNR Symphony Orchestra
Bulgaria Concert Hall
Rachmaninov: Piano Concerto No. 2
BNR Symphony Orchestra, Lucas Geniushas, piano
Bulgaria Concert Hall
“He likes to do this type of conceptual, thematic, genre-summarizing concerts, with the aim of intriguing the audience and the orchestra in different ways.”
Kultura.bg
“It sounded somewhat confessional in the conductor's reading - like a personal revelation, a personal pain, but he maintained a good distance, with a sufficiently restrained emotional discipline which produced an even more engaging awareness.”
Prokofiev Symphony No. 5 - Decrescendo.net
Press
“Kadin offered a dense, collected performance, with natural musical movement, with a relief comparison of episodes, with constructive nuanced ideas, successfully fixing individual timbre sections in the picture. He easily highlighted dramatic phases with the effect of dynamic amplitudes, maintaining an expressive general legato in the phrasing, and in the finale, he achieved an ambiguous vitality, completing the anxious loneliness and melancholic character of the work. A well thought out and realized interpretation!”
Kölner Stadt-Anzeiger
