CONDUCTOR
He recreates a poetic beauty thanks to the logic of his phrasing, his brilliant strokes, captivating rhythmic alternations, structured and clear approach to form and elegant dynamics.
Decrescendo.net
Ukrainian-born Mark Kadin has proven himself as a musical leader with deep knowledge and a fresh, progressive outlook. Precision, passion of the explorer and artistic insight are the foundation of his work and have led to longstanding relationships around the world. With an enormous repertoire embracing classical, romantic, and contemporary music, he has conducted in places such as the Kölner Philharmonie, Bolshoi Theatre, Rudolfinum Prague, Seoul Arts Center, Tonhalle Düsseldorf, Munich Herkulessaal and Bellas Artes Opera. Mark Kadin is the Music Director of the Querétaro Philharmonic since 2023. Previously, he was Chief Conductor of the Bulgarian National Radio Symphony Orchestra, Music Director of the Krasnoyarsk State Symphony Orchestra and Principal Guest Conductor of the Moscow Radio Symphony Orchestra for ten years.
Stoyanov: Rhapsody for Orchestra
BNR Symphony Orchestra
Bulgaria Concert Hall
Rachmaninov: Piano Concerto No. 4
BNR Symphony Orchestra, Ludmil Angelov, piano
Bulgaria Concert Hall
Kölner Stadt-Anzeiger
“He likes to do this type of conceptual, thematic, genre-summarizing concerts, with the aim of intriguing the audience and the orchestra in different ways.”
Kultura.bg
“It sounded somewhat confessional in the conductor's reading - like a personal revelation, a personal pain, but he maintained a good distance, with a sufficiently restrained emotional discipline which produced an even more engaging awareness.”
Prokofiev Symphony No. 5 - Decrescendo.net
Press
“Kadin offered a dense, collected performance, with natural musical movement, with a relief comparison of episodes, with constructive nuanced ideas, successfully fixing individual timbre sections in the picture. He easily highlighted dramatic phases with the effect of dynamic amplitudes, maintaining an expressive general legato in the phrasing, and in the finale, he achieved an ambiguous vitality, completing the anxious loneliness and melancholic character of the work. A well thought out and realized interpretation!”
